纽约大都会博物馆部分青花馆藏分享
今天有点空闲,我把拍到的青花馆藏展品与大家分享. 6park.comJar with ducks in lotus pond 6park.comChina, Ming dynasty (1368-1644), early 16th century 6park.comPorcelain painted with cobalt blue under transparent 6park.comglaze Jingdezhen ware) 6park.comRogers Fund, 1918 (18.56.8a, b) 6park.comDucks and lotuses together convey the message of 6park.comharmony and union in a marriage, and it is possible 6park.comthat this jar was intended as a wedding gift or contained such a gift. 6park.comGourd-shaped bottle with deer and crane in 6park.comlandscape 6park.comChina, Ming dynasty (1368-1644), Jiajing mark and 6park.comperiod (1522-66), mid-16th century 6park.comPorcelain painted in cobalt blue under clear glaze 6park.comJingdezhen ware) 6park.comPurchase, Harris Brisbane Dick Fund and Anonymous Gift, 1965 (65.56.2) 6park.comEmblems of longevity, the deer and the crane are 6park.comcombined here with the Three Friends of Winter, the 6park.complum, bamboo, and pine, symbolic of endurance and longevity and harbingers of spring. 6park.comBox with flowers and birds 6park.comChina, Ming dynasty (1368-1644), Jiajing mark and 6park.comperiod (1522-66), 16th century 6park.comPorcelain painted with cobalt blue under transparent 6park.comglaze Jingdezhen ware) 6park.comPurchase, Anonymous Gift, 1965 6park.comDish with flowering branches 6park.comChina, Ming dynasty (1368-1644), Wanli mark and 6park.comperiod (1573-1620), late 16th-early 17th century 6park.comPorcelain with reserve on cobalt blue ground under 6park.comtransparent glaze Jingdezhen ware) Rogers Fund, 1920 6park.comVase in meiping shape with phoenix 6park.comChina, Ming dynasty (1368-1644), Wanli mark and 6park.comperiod (1573-1620), late 16th-early 17th century 6park.comPorcelain painted with cobalt blue under transparent 6park.comglaze Jingdezhen ware) 6park.comGift of Mrs. Eugene L. Garbáty, in memory of Eugene L. Garbáty, 1979 6park.comTemple vase with dragons amid flowers 6park.comChina, Ming dynasty (1368-1644), Wanli mark and 6park.comperiod (1573-1620), late 16th-early 17th century 6park.comPorcelain painted with cobalt blue under transparent glaze (ingdezhen ware) 6park.comJar with poet Zhou Dunyi 6park.comChina, Ming dynasty (1368-1644), Wanli mark and 6park.comperiod (1573-1620), dated 1587 6park.comPorcelain painted with cobalt blue under transparent 6park.comglaze Jingdezhen ware) 6park.comRogers Fund, 1920 (20.41.2) 6park.comThe larger seated figure resting near the banks of a 6park.comlotus pond is the scholar-official Zhou Dunyi (1017- 6park.com1073), who wrote an elegant poem about his love for 6park.comthis flower. Representations of poets appear in 6park.comChinese ceramics in the fourteenth century and are 6park.comoften identified by references to their writings. A 6park.comlong inscription written on the bottom of this jar dates 6park.comit to 1587, and in.cates that it was commissioned for 6park.comthe use of an auxiliary palace in the southwest. 6park.comJar with dragons and floral designs 6park.comChina, Qing dynasty (1644-1911), Kangxi period 6park.com(1662-1722), late 17th-early 18th century 6park.comPorcelain painted with cobalt blue under a 6park.comtransparent glaze (Jingdezhen ware) 6park.comBequest of Mary Clark Thompson, 1923 6park.comPlate with geese 6park.comChina, Ming dynasty (1368-1644), Wanli period 6park.com(1573-1620), late 16th-early 17th century 6park.comPorcelain painted with cobalt blue under transparent 6park.comglaze Jingdezhen ware) 6park.comRogers Fund, 1916 (16.93) 6park.comPopularly known as kraak ware, ceramics such as 6park.comthis were produced in large numbers for trade, 6park.comparticularly with Europe. They are thought to have 6park.combeen named after the word carrack (a transmutation 6park.comof an Arabic term), which was used to describe large sailing vessels. 6park.comDish with Buddhist monk-poet Hanshan 6park.comChina, Ming dynasty (1368-1644), Chongzhen 6park.comperiod (1628-44), mid-17th century 6park.comPorcelain painted with cobalt blue under transparent 6park.comglaze Jingdezhen ware) 6park.comSeymour Fund, 2011 (2011.157) 6park.comRevered in Chan (Zen) Buddhism, the monk-poet 6park.comHanshan (Kazan) stands in a windswept landscape 6park.comand holds a brush in his upraised right hand. The 6park.commoralizing poem at the upper left, which stresses 6park.comproper behavior, is found in ceramics but does not 6park.comappear to have been preserved elsewhere. 6park.com 6park.comDish in shape of Mount Fuji with horses and deer 6park.comChina, Ming dynasty (1368-1644), Wanli (1573- 6park.com1620-Tiangi (1621-27) periods, ca. 1625 6park.comPorcelain painted with cobalt blue under transparent 6park.comglaze Jingdezhen ware) 6park.comPurchase, Barbara and William Karatz Gift, Gift of C. T. Loo and Company, 6park.comby exchange, and Rogers Fund, by exchange, 2010 (2010.206) 6park.comThe shape of the dish, which alludes to the famed 6park.comMount Fuji, indicates that it was commissioned 6park.comby a Japanese patron, most likely for a meal that 6park.comaccompanied the tea ceremony. The inscription, 6park.comwhich discusses roaming with deer and horses 6park.comin a landscape, is an allusion to a similar phrase in 6park.comthe writings of the Chinese philosopher Mencius. 6park.comBrush pot with scene of washing an elephant 6park.comChina, Ming dynasty (1368-1644), Chongzhen period 6park.com(1628-44), mid-17th century 6park.comPorcelain painted with cobalt blue under transparent 6park.comglaze Jingdezhen ware) 6park.comPurchase, Gift of Elizabeth V. Cockcroft, by exchange, 2008 (2008.80) 6park.comFound in paintings as well as the decorative arts, the 6park.comtheme of figures washing an elephant (sao xiang) is a 6park.compun on the Buddhist notion of the illusionary nature of the phenomenal world. 6park.comBrush pot with King Wen visiting the scholar 6park.comJiang Taigong 6park.comChina, Ming dynasty (1368-1644), Chongzhen 6park.comperiod (1628-44), mid-17th century 6park.comPorcelain with incised decoration painted 6park.comwith cobalt blue under transparent glaze 6park.comJingdezhen ware) Purchase by subscription, 1879 (79.2.366) 6park.comThe widespread literacy that marked the late sixteenth century and the concurrent flowering of 6park.comwoodblock-printed books had a significant impact on Chinese porcelain produced between the late sixteenth and the mid-seventeenth century, helping to spread historical tales such as that of the visit of an ancient king to a famous scholar. 6park.com 6park.comVase commemorating a literary gathering 6park.comChina, Qing dynasty (1644-1911), ca. 1690s 6park.comPorcelain painted with cobalt blue under transparent glaze 6park.com(Jingdezhen ware) 6park.comGift of Julia and John Curtis, in celebration of the Museum's 150th Anniversary, 2020 (2020.73.6) 6park.comThis unique vase commemorates a literary gathering held in the 1690s at the ceramic production center of Jingdezhen in Jiangxi Province. The maker, a master potter adept at poetry and painting, integrated an essay and ten poems composed by the attendees into a panoramic landscape, 6park.comtransforming a private exchange into a lasting artwork. Rather than decorating the vase with stock images, the potter created a revolutionary composition that seamlessly blends text and image on the rounded form of the vase. 6park.com白磁青畫花獸面文大楪 中國明 6park.comBowl decorated with flowers and beast faces 6park.comChinese, Ming dynasty (1368-1644), late 16th-early 17th century Porcelain with underglaze cobalt-blue design (Kraak ware) 6park.com清順治 景德镇窯青花高士出行圖瓶 6park.comVase with equestrian figure in landscape 6park.comQing dynasty (1644-1911), Shunzhi period (1644-61), 6park.commid-17th century Porcelain painted in underglaze cobalt blue (Jingdezhen ware) Rogers Fund, 1918 6park.com 6park.com明末/清初 景德鎮察青花水滸故事圖筆筒 6park.comBrush holder with scene of Wang Qing crossing the 6park.comriver from The Water Margin (Shuihu zhuan) 6park.comMing (1368-1644) or Qing (1644-1911) dynasty, dated 6park.com1636 or 1696 Porcelain painted in underglaze cobalt blue 6park.com(Jingdezhen ware) Gift of Julla and John Curtis, in celebration of the Museum's 150th Anniversary, 2020. 6park.com明崇禎 景德鎮窯青花竹林七賢圖蓋盒 6park.comCovered box with Seven Sages of the Bamboo Grove 6park.comMing dynasty (1368-1644), ca. 1640 Porcelain painted in underglaze cobalt blue 6park.com(Jingdezhen ware) Gift of Julia and John Curtis, in celebration of the Museum's 150th anniversary, 2019. 6park.com明崇禎 景德鎮窯青花竹林七賢圖香爐 6park.comCenser with Seven Sages of the Bamboo Grove 6park.comMing dynasty (1368-1644), ca. 1640 Porcelain painted in underglaze cobalt blue 6park.com(Jingdezhen ware) Promised Gift of Julia and John Curtis, in celebration of the Museum's 150th Anniversary. 6park.com康熙 青花杜甫詩意山水圖筆筒 6park.comBrush pot with decoration of landscape and 6park.compoem by Du Fu (712-770) 6park.comQing dynasty (1644-1911), ca. 1670 6park.comPorcelain painted in underglaze cobalt blue 6park.com(Jingdezhen ware) 6park.comPromised Gift of Julia and John Curtis, in celebration of the Museum's 6park.com150th Anniversary 6park.comThe decoration on this brush pot is described 6park.comas being in the "Master of the Rocks" style for 6park.comthe striking lines of cobalt used to add texture 6park.comto the rocks and mountains. The poem reads: 6park.comClouds passing the sheer cliff spread 6park.comembroidery and brocade, 6park.comSparse pines lining the waters play the 6park.comreed pipes. -trans. after Stephen Owen 6park.com清順治 景德鎮窯青花 杜甫 《滕王亭子》詩文盤 6park.comDish with poem "The Pavilion of the Prince 6park.comof Teng" by Du Fu (712-770) Qing dynasty (1644-1911), ca. 1650-60 6park.comPorcelain painted in underglaze cobalt blue (Jingdezhen ware) 6park.comPromised Gift of Julia and John Curtis, in celebration of the Museum's 150th Anniversary. 6park.com明業禎 景樣鎮黑青花葫選瓶 6park.comWine bottle with decoration of landscape 6park.comand poem Ming dynasty (1368-1644), Chongzhen period 6park.com(1628-44), mid-17th century Porcelain painted in underglaze cobalt blue (Jingdezhen ware). 6park.comThis vase was made in the seventeenth century, but the 6park.cominscribed poem was written by the influential Neo-Confucian thinker Zhu Xl of the Southern Song dynasty Zhu Xl of the Southern Song dynasty (1127-1279), It reads: 6park.comOn a pleasant day, I seek fragrance on the banks 6park.comof the Si River: The boundless sunlit landscape appears suddenly 6park.comnew Once you recognize the face of the caster wind, Myriad purples, thousands of reds-all are the appearances off spring.-Trans. after Yang Zhiyi 6park.com康熙 景德鎮窯青花前後赤壁賦圖方瓶 6park.comSquare-form vase with decoration of SuShi's First and 6park.comSecond "Odes on the Red Cliff" 6park.comQing dynasty (1644-1911), Kangxi mark and 6park.comperiod (1662-1722) 6park.comPorcelain painted in underglaze cobalt blue 6park.com(Jingdezhen ware) 6park.comGift of Julia and John Curtis, 2015 (2015.784.1) 6park.comThis vase records two texts titled "Ode on the Red Cliff," 6park.commasterpieces composed by the beloved poet and 6park.comstatesman SuShi (1037-1101) in the autumn and winter of 6park.com1082. Its square form elegantly accommodates the two 6park.comstories in both text and image. When Su visited the site, 6park.comit was already rich with historical significance owing 6park.comto the famous Battle of Red Cliff, believed to have been 6park.comfought there at the end of the Han dynasty (206 B.C.- 6park.comA.D. 220), but it was forever transformed by his famous 6park.compoems and soon became a popular theme across all 6park.commedia. Central to both poems is the social aspect of the excursions. 6park.comJar with the coat of arms of the 6park.comOrder of Saint Augustine 6park.comChina, Qing dynasty (1644-1911), 6park.comca. 1575-1600 6park.comPorcelain with cobalt blue under 6park.comtransparent glaze 6park.comGift of R. Albuquerque, 2016 6park.comThis hexagonal jar's surface is divided into pentagonal 6park.comfields that feature the double-headed eagle and pierced 6park.comheart of the Augustinians, as well as pairs of facing lions, 6park.compeacocks, elephants, and pine trees with birds. The prevalence of the Catholic order's device, also found on Chinese textiles, acknowledges the prominent role played by the Augustinians in the Spanish Pacific as both religious and imperial agents- active not only as missionaries, but also as mariners, scholars, and diplomats. 6park.comDish with the Baptism of Christ 6park.comChina, Qing dynasty (1644-1911), 6park.comca. 1715-25 Porcelain with cobalt blue under 6park.comtransparent glaze Gift of R. Albuquerque, 2016 6park.comThis exceptionally large dish is one of the earliest known 6park.comChinese porcelains to feature a Christian narrative subject. 6park.comThe scene of Christ's baptism by Saint John in the river 6park.comJordan--based on the Gospel of Saint Matthew, cited on 6park.comthe rim of the dish-probably copies a European print or 6park.combook illustration. The tall trees and rocky riverbanks evoke 6park.comthe wilderness setting of the biblical account, which 6park.comcontrasts with the six small Chinese landscape vignettes encircling the central scene. 6park.comPlate with carp 6park.comChina, Yuan dynasty (1271-1368), 14th century 6park.comPorcelain painted with cobalt blue under transparent 6park.comglaze Purchase Mrs. Richard E. Linburn Gift, 1987 (1987.10) 6park.comClose examination of the cobalt blue used to paint 6park.comthis dish shows areas of darker blue. Known as 6park.com"heaped and piled," this effect is a result of imperfect 6park.comcontrol of the pigment during firing. This effect 6park.comdisappeared in the early fifteenth century, when 6park.compotters further mastered the use of this pigment. 6park.comBowl with peonies, narcissus, and pomegranates 6park.comChina, Ming dynasty (1368-1644), Xuande mark and 6park.comperiod (1426-35), early 15th century 6park.comPorcelain painted with cobalt blue under transparent 6park.comglaze Jingdezhen ware) 6park.comGift of Stanley Herzman, in memory of Adele Herzman, 1991 6park.comJar with winged animals over waves 6park.comChina, Ming dynasty (1368-1644), mid-15th century 6park.comPorcelain painted with cobalt blue under transparent 6park.comglaze Jingdezhen ware) Purchase, The Vincent Astor Foundation Gift, 2010 (2010.220) 6park.comThe theme of winged animals, in this case a horse, an elephant, a mongoose, a fish, a rabbit, and two cervids, was most likely inspired by the extraordinary 6park.comcourt-sponsored maritime expeditions of the early fifteenth century, in which a Chinese fleet, under the direction of Zheng He (1371-1433), reached the coast of Africa. 6park.comBowl with peonies, narcissus, and pomegranates 6park.comChina, Ming dynasty (1368-1644), Xuande mark and 6park.comperiod (1426-35), early 15th century Porcelain painted in cobalt blue under transparent 6park.comglaze Jingdezhen ware) Gift of Mrs. Richard E. Linburn, 1982. 6park.comBowl with children in garden 6park.comChina, Ming dynasty (1368-1644), Jiajing mark and 6park.comperiod (1522-66), mid-16th century 6park.comPorcelain painted with cobalt blue under transparent 6park.comglaze Jingdezhen ware) 6park.comGift of Denise and Andrew Saul, 2001 (2001.738) 6park.comRepresentations of boys playing, symbolic of the 6park.comwish for children and the pleasure they bring, are 6park.coma common theme in Chinese decorative arts. 6park.comVase in meiping shape with Daoist Immortal 6park.comZhongli Quan 6park.comChina, Ming dynasty (1368-1644), second half of the 6park.com15th century 6park.comPorcelain painted with cobalt blue under transparent 6park.comglaze Jingdezhen ware) 6park.comPurchase, Friends of Asian Art Gifts, 2010 (2010.312) 6park.comIdentified by the leaf held in one hand and the gourd 6park.comsuspended from his belt, Zhongli Quan is revered in 6park.comthe religious tradition of Daoism. Thought to have 6park.comlived sometime between the second century B.C. and 6park.comthe second century A.D., he is one of a group of eight 6park.comquasi-historical figures that became prominent in 6park.comDaoist traditions beginning in the twelfth century, 6park.comand were later often depicted in the visual arts.评分完成:已经给 烤牛排 加上 100 银元!
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